Two edits can share a song title and do completely different jobs in a set. DJ Jet’s late-2012 Crack4DJs catalogue makes that unusually clear: it separates tempo transitions, vocal-content variants and changes to the beginning or ending of a track.
The archived profile identifies Jet as a DJ and producer from the Philippines and uses the address /djjet. That same address appears on the Jet Boado II Mixcloud profile, giving readers a second route to the artist behind the old link.
A tempo range is a direction
Among the entries dated 13 December 2012 are transitions labelled 130 to 79 BPM and 72 to 128 BPM. These describe different movements through a set. The first starts in a faster tempo range and ends lower; the second travels upward. Reversing the numbers in a library note would change the intended use.
There is another layer in the 130-to-79 entry: versions with and without added hype. Tempo movement and vocal treatment are separate choices. A preparation note therefore needs both, such as “130 → 79; no-hype version”, rather than a loose “transition” tag.
One title, several decisions
The catalogue also lists clean and explicit variants of a segue, plus full and “ACA OUT” versions of a party intro. Those labels point to separate questions: which vocal version is appropriate, where does the edit begin, and what material remains at the exit? The wording alone cannot establish the exact length or contents of the audio.
For a file you already have, try building a short version record: artist credit, full edit name, entry tempo, exit tempo and the point where the next record can take over. Add cue positions after checking the audio. This keeps the catalogue’s useful distinctions without treating its enthusiastic sales copy as a listening test.
See the DJ Jet catalogue captured on 5 January 2013 for the historical listings. The old prices and download buttons belong to that snapshot; this page restores their context, not the former shop.